Dancing on the Fringe

The streets of Edinburgh Scotland were filled, as they are every August, with performing artists and the tourists and locals who had come to see them. Rich and I, along with 22 other InterPlayers from around the world were among them. RichCatapillerphoto-16Pushing our way through the hordes of mostly young performers on the cobblestone street which is the Royal Mile, we observed the ritual of performers dressed as caterpillars and clowns, giving out flyers, barking as circus midway callers do, to draw attention to the free samples of their art on the makeshift stages of High Street. Though a little less flamboyant, and a good deal older than most of them, we too had came to perform on the Fringe.

Edinburgh Fringe
Edinburgh Fringe

The Fringe Festival, the largest open access arts festival in the world began in 1947 when eight theatre companies showed up uninvited to the Edinburgh International Arts Festival.  The juried arts festival is still in business but the Fringe, officially organized in 1951, has grown way bigger that that one. In fact it’s bigger than anyone could imagine an arts festival becoming. By 1959 there were 494 companies and by this year, 2013, the festival had over 40,000 performers in 359 venues. Unlike those original participants, we did have an invitation from Mairi Campbell, a well-known Scottish folk singer, http://www.mairicampbell.co.uk/

Meeting up with a dozen members of our US InterPlay community, and joining another dozen InterPlayers from Germany, Finland, England, Australia and Scotland, we formed an improv troupe. After practicing together for several days (which was a big part of the fun of it all, along with time spent with fabulous local home stay hosts), we came together at Venue #127, St. John’s Church in the center of the city. Our performance of the Unbelievable Beauty of Being Human was part of the Just Festival, a subset of the Fringe that focused on social justice, spirituality, and peace.mairiUBBH-17

Our well-attended performance was a fitting tribute to the festival’s themes as we danced, sang and told our stories in the moment and on the spot, highlighting what’s wonderful about being human and what’s not so great about it. As one of the elders in the group, this was my 9th performance of Unbelievable Beauty, having participated in the first series of performances in San Francisco CA in 1997, in Sydney, Australia in 2004, and in Seattle and Chicago in the years in between.  Each improvisational performance followed a similar format yet each was a unique and never-to-be-repeated experience for participants and audiences.

In the 50-page program for the Just Festival, which was a subset of the 390 page program for the Fringe, the program description read: “Re-igniting hope for human kind, passionate, funny, honest, affirming of real people and real living. Performers elevate both the miracles and struggles of every day folk in a daring, spontaneous, fresh way.  Directed by InterPlay founders, the program features InterPlayers from around the world. UK debut”.UBBH.Edinburgh1

And so it was, a never-to-be forgotten, Unbelievably Beautiful Experience!

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